Discography -> Riddles in the Sand


Riddles in the Sand

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Release Date: September 1984
Label: MCA Records





For album artwork, go here.
For song lyrics, go here.



Track Listing:

1. Who’s the Blonde Stranger? — 3:44
        Jimmy Buffett, Will Jennings, Josh Leo, Michael Utley
2. When the Wildlife Betrays Me — 2:51
        Jimmy Buffett, Will Jennings, Michael Utley
3. Ragtop Day — 3:03
        Jimmy Buffett, Will Jennings, Michael Utley
4. She’s Going Out of My Mind — 3:26
        Mac McAnally
5. Bigger than the Both of Us — 3:57
        Rhonda Coullet
6. Knees of My Heart — 2:41
        Jimmy Buffett, Will Jennings, Michael Utley
7. Come to the Moon — 3:47
        Jimmy Buffett, Will Jennings, Michael Utley
8. Love in Decline — 2:42
        Jimmy Buffett, Will Jennings, Michael Utley
9. Burn that Bridge — 3:12
        Jimmy Buffett,Will Jennings, Michael Utley
10. La Vie Dansante — 4:02
        Jimmy Buffett, Will Jennings, Michael Utley



Buffett’s fifthteenth studio album was called “Riddles in the Sand.”

Notes on the album:
-“Riddles” saw a change to a new style of music Jimmy called “Gulf and Western Music”, which was the original name of the album.
-3 singles were released, all doing good on the country charts. They were “When the Wildlife Betrays Me” - #42 Billboard Country Charts, “Who’s the Blonde Stranger?” - #37 Billboard Country Charts and “Bigger Than the Both of Us”, #58 Billboard Country Charts. Videos for “Who’s the Blonde Stranger?” and “La Vie Dansante” were made and saw limited play.
-The album sold good, charting at #18 on the Billboard Country Charts, and #95 on the Billboard 200.


Liner Notes –

Produced and Recorded by Jimmy Bowen for MCA Records

The Coral Reefer Band -

Jimmy Buffett - Guitar, Vocals
Matt Betton - Drums, Saxophone
Sam Clayton - Percussion
Emory Gordy - Bass
Robert Greenidge - Steel Drums
Greg "Fingers" Taylor - Harmonica
Mike Utley - Keyboards
Reggie Young - Guitar
John Jarvis - Synthesizer, Keyboards
Billy Joe Walker - Guitar
Larry Lee - Background Vocals
Wendy Waldman - Background Vocals
Thomas Flora - Background Vocals
Mac McAnally - Background Vocals

Recorded and Mixed at Sound Stage Studios
1st Engineers - Ron Treat - Basic Tracks and Overdubs - Steve Tillisch - Mixdown
2nd Engineers - Mark Coddington and Vicki Hicks
Originally mastered at Masterfonics by Glenn Meadows
Mixed and Mastered using the JVC Digital Audio Mastering System
Photography by Jim Shea
Drawings on the sleeve by Savannah Jane Buffett, Maura and Melanie Lyons
Art Direction by Jeff Adamoff

Very Speical Thanks to:

Nashville - Johnny Dickinson, Charlie Allen, Will “Dr. Wheeeel” Jennings, “Dirt”Laner, Jesse Noble, Abbe Demontbreun and to the consistent nutrition experts Harp Townes, Luther’s Bar BQ, Mac’s Cafe and The Elliston Place Soda Shop

At the Gulf - Dan Sweet, Kenny Wall, Greer and Brooke Radcliff and “Rusty” the Wonder Horse

Out West - Howard Kaufman, Bobby Liberman and Nina Avramides-Berducat

This album dedicated with much love to Jane Slagsvol Buffett, who over the years, has been and remains, the ultimate riddle in the sand.

"Riddles in the Sand"

“What goes around comes around" say wise men in bars. Any good artist feels compelled to change, if not doomed to change, and vary his art as much as he varies his life. Starting from the center, Buffett has shot off to a number of usual and unusual planets. Now in RIDDLES IN THE SAND we see him coming home not quite on A1A, but with the same richness of feeling that informed much of his earlier work.
        Years ago, down in Riviera Beach in southeast Texas, I saw some cowboys ride into town on horseback for a dinner of GULF shrimp AND oysters. If you were Superman you could have seen Key WESTERN off there in the distance. This album has a musical range expanding in an arc from Bob Wills to Bob Marley with the Gulf somehow always there: a low and high tidal range, sweet and piney like the Delta soil, Caribbean Islands white with coral dust, ladies as moist and sweet as a fresh broken conch. Rather than a return, Buffett is starting out from the center again, with a vast expansion both musically and emotionally. The music is a triumph for an American sound. - Jim Harrison